On April 1, 2019 I am no longer teaching at The Garage School of Art. I will, however, continue to Blog and exhibit under that title. Stay Tuned!www.valeriemccaffrey@comcast.net
Garage School of Art
Thursday, March 21, 2019
Wednesday, March 7, 2018
Wednesday, June 19, 2013
Marking our Nineteenth Year with Our Annual Luncheon
We had planned to explore markers as the modern incarnation of "Ink" to culminate our "Year of Drawing" when I read about an article in The Boston Globe about Artist Laura Meilman and her Project T Scapes. I contacted Laura and she agreed to join us on Monday, June 17th, and demonstrate her technique. She already has fifty or so T stations rendered in markers in her personal style and we were excited to see how she would tackle our own train station. We were not disappointed.
To read about Laura's experiences at The Garage School go to Laura's Tumblr Post. For our part we were charmed by this exquisitely trained Artist, by her poise, and by her teaching skills.
View of the train tracks from the Beverly Farms Station. |
Beverly Farms Station ©Laura Meilman 2013 |
Colored Markers, like their grandfather India and Chinese Inks, are a difficult but expressive medium. We will keep sketch books this summer using the medium with weekly reports, so we can become more skilled drawing with them.
Laura demonstrates her technique. |
Various kinds of markers we used. |
As is our nineteen year tradition we ended the day by having lunch al fresco. It is also a tradition that we have a beautiful day. This year, however, we broke with tradition and everyone brought a part of the meal. We started with Gazpacho and bread, then on to Caesar Salad, Deviled Eggs, Cape Cod Chicken Salad, Asian Salad, Fruit skewers, Lemonade and Iced tea. For dessert we had Lemon Ice Box Pie, Citrus Olive Oil Cake with Whipped Cream, Chocolate mini tarts, and strawberries.
Artist Joan Benotti generously donated the embellished Nautical Chart
she did when she demonstrated for our class for a prize drawing.
To see more pictures from the day, view the Photo Album.
Even the Peonies remained in bloom for our event! |
she did when she demonstrated for our class for a prize drawing.
Terese Melden examines the embellished Nautical Chart that was won by Ann Pulver . |
Summer School begins July 8th when we will take the next step by painting on paper in any medium the Artist desires, using a specific process aimed at quickly capturing the composition. We will focus on the transparency and opacity of the various mediums, learning how to tweek them for our own devices.
Last, there are a few items in the Lost and Found. If you see anything that looks familiar, stop by and pick it up!
Tuesday, June 11, 2013
Rocks, Markers, Paper
Class began with work done by several students, a small sampling of which is presented here owing to the Instructor's lapse until the end of class. Mary Vetere, Linda Harvey, and Chris Dougherty had well received work on the Homework Wall. Fortunately, JoAnne Fossa left behind her work of rocks now completed.
In this rendition JoAnne used a range of color on grey toned paper highlighting the exceptional blues and violets in Jill Levine's rocks, lent to us for the classes. |
In this rendition JoAnne used a monochromatic palette of black and white on brown toned paper calling attention to the form of the rocks. |
Katie Bull was able to send a copy of her work
before the Blog Went to press.
Katie Bull Tackled the Work from last week using a strong range of color to render the green vegetation on Bailey Tract on Sanibel Island, Florida. |
Green Line, ©2013 Laura Meilman |
Garden in Malaga, Spain ©2013 Susan Connolly |
In anticipation of Ms. Meilman's visit we looked at the sketchbooks of Susan Connolly, (1952-2012) sister of Garage School Artist Mary Ellen Leekley
Tuesday, June 4, 2013
How Green Is My Green
The homework wall was ablaze with bouquets of Lilacs but the Instructor was so dazzled she forgot to take a photo of the work of Linda, JoAnne, Katie, and Mary. They can be seen over the shoulders of the artists hard at work later in the class.
Mary Vetere is beginning to sketch her most favorite flowers, peonies, brought to class by Beth Shipley from her garden. |
The peonies as they appeared. More peonies later in the Blog. |
From The Pastelist's Year |
From Wolf Kahn Pastels |
We proceeded to apply the lessons learned from the above named artists with this photograph entitled House Seen From Bailey Tract |
The Demonstration is on Bristol Vellum using Indigo for the drawing, then applying color a la Mr. Kahn. The Palm fronds are Indigo applied to the yellows of the sky. More to come next week. |
Time for a tea Break before tackling the project: JoAnne, Cathy (who brought the snack) Katie, Beth Pam Morss, Ann, Mary, Beth, and Pam Price. Welcome company on a rainy morning. |
Anne Pulver suggested that in the future we might consider applying the techniques of Georgia O'Keefe. So here is a Peony challenge! For anyone who wants to try.
Tuesday, May 21, 2013
A Taste For Modernism
On Friday, May 17th ten of us traveled to the Portland Museum of Art in Portland, Maine to see the exhibit The William S. Paley Collection: A Taste For Modernism.
Before looking at the homework or making art, we discussed the exhibit at length. The take-aways included the joy of feeling as if we were in William Paley's home viewing the art, even to the color (white) of the walls; the surprise of seeing paintings and works we were familiar with owing to their being masterpieces and the artists, famous; and the drafting skill that undergirded all of the works. A preview of the William S. Paley Collection tells how he collected with a few descriptions and photographs of some of the works.
Next we looked at the homework. Two works from Grisaille II, and two works by the same artist in wax pencils and watercolor pencils.
Pierre-Auguste Renoir Strawberries |
Next we looked at the homework. Two works from Grisaille II, and two works by the same artist in wax pencils and watercolor pencils.
JoAnne Fossa Amsterdam |
Mary Vetere Snow |
Chris Dougherty Lillies |
Tuesday, May 14, 2013
Mothers' Day Bouquets
The Homework Challenge
Last week we tackled Grisaille II: techniques to draw and paint monochromatic grey works with a color bias. We used photographs that were made to look like paintings from a calendar called "The Impressionist Camera". Hugely challenging, so work is being continued on the project.
Three works - one complete and two in progress were presented for appraisal.
September: (Hugo Henneberg) Hill 1899) by Katie Bull. Note how she capitalized on the rough side of MiTientes white pastel paper. |
May: (Bernard Eilers) Amsterdam 1901) WIP by JoAnne Fossa. Using only three pencils on blue toned MiTientes paper, her challenge is to edit out the mid ground details |
June: (Leonard Misonne) Children 1908) WIP by Linda Harvey. Note Linda's preparatory work on the right side. She is using toned gray MiTientes paper. |
This week there were several bouquets to choose from: Tulips from Xuan's garden, Lilacs from Cathy's garden, and the WBUR Mother's Day Bouquet from Cricket.
The demonstration was the use of water soluble colored pencils on canvas as an end in itself or to use as an under drawing for an oil, acrylic, or pastel painting. We used as inspirations, portraits of bouquets painted by Édouard Manet (1832-1883) at the end of his all too brief life: en.wikipedia.org/wiki/Édouard_Manet |
Starting with a neutral gold pencil, the shape of the lilac bouquet was loosely sketched in; corrections made or lines erased with a moistened paper towel. The drawing was gradually built up, adding color and opening it up with a brush. Three brands of pencils were discussed: the above shown Crayola, Derwent, and the Instructor's favorite: Albrecht Dürer by Faber-Castell. |
You could have heard a pin drop! |
Subscribe to:
Posts (Atom)